When Orpheus,
after many years of making
beautiful music and poetry,
words and melodies
that charmed the very rocks to follow him;
When Orpheus
returned from years of travelling
and his eyes rested
on Euridice he rested
his whole being, and could not move;
When Orpheus
charmed with ease the incomparable
beauty who was Euridice
Hymen rejoiced.
But Apollo was jealous
and determined to keep his minstrel
wandering and singing and charming
rocks and trees.
He sent a serpent.
Hymen’s ceremony
was completed,
the songs were sung,
the vows made, the feast full enjoyed,
but before the hymen was broken
before drops of blood
could prove the completion
the serpent struck.
The blood that fell
fell not from ecstasy;
The blood that fell
fell out from agony.
The blood that fell
stained the earth with death
The blood that fell
wrought Orpheus bloodless.
Bloodless Orpheus did not pause – he set out
Down some profound dull tunnel – he set out
Along the road wrapped in shadows
Bloodless Orpheus did not pause – he had travelled
Many ways to many places and knew no fear –
Bloodless Orpheus did not pause.
So pale was he that Charon took him
As one dead
Across the blackened river
To the place where Cerberus stood guard.
The dog cursed Charon for bringing the living
To this forbidden place and was set
To snap out the light of life and let Orpheus enter
As he should
When Orpheus
struck a chord of such sweet notes
that the monstrous dog
curled and almost purred
in his delight. Orpheus passed on
through the Asphfodel Fields where
he gorged on sacrificial blood to give him strength
passed on towards the palace of Hades and Proserpine.
When Orpheus
stuck a chord of such sweet notes
the misery of Tartarus was suspended,
Tantalus drank in the still sweet notes
and was refreshed;
the vultures paused in their eternal ravenning
on the perpetually renewed vitals of Tityus;
the very rock that was Sisyphus’ doom
ceased to roll.
When Orpheus
struck his chords of those sweet notes
even the dried leathern cheeks of the Furies
felt salt moist tears upon them.
Proserpine watched his journey
through her realm
and heard his desperate plea.
The passionate melodies reached her
and she spoke for Orpheus to Hades
How could they refuse him?
Hades called Euridice and set her free
to follow Orpheus
to the upper world on one condition –
as they travelled through the steely deeps
of Tartarus
Orpheus must
not look back, must not turn his head to see
if Euridice follows
Orpheus must
not turn his head to see
if Euridice follows
Orpheus must
endure the silence of not knowing
Orpheus must
wait until he and his beloved
are in the sunlight of the upper world.
Orpheus must
trust.
Those caverns measureless to man
those profound dull tunnels
those stolen shadowed halls
those endless wandering roads
the weaving blackened river
and all the time not a sound
not a murmur
not a footfall
not a breath
nothing to tell if she followed.
The madness started in those halls
and when the sunlight sharped his eyes
he turned
The madness started in those tunnels
and when the sunlight pierced his eyes
he turned
The madness started in those time consuming depths
and when the sunlight touched his eyes
he turned
and she
standing on the threshold of the world
met those scorched eyes
for a receding moment
she flashed out of his sight
she fell and fell and fell
leaving only a despairing
Farewell
hanging like lost gossamer on the air.
2
There is silence in my heart, deathly silence
I wander from place to place in a dream from which
I can never waken – a real nightmare – and all the time
I sing and play and make such sweet sounds
That rocks and lizards, leaves and birds, mountains and vales
All follow me, all worship me, all love me.
Imagine how the women fall for this fair wanderer
They hang about me like sparrows to the grain or gulls to the plough
I am the piper and they are the children of Hamelin –
Except I am going nowhere. I seek only to hide away
And die another death; to hide away and swoon and die
I will allow the rocks and birds to hide me
To protect me from the breasted ones who would have me
And whom I would not have. How can they imagine,
any of them, that they compare, in any detail, at any point
With the incomparable Euridice. Ahhh, how the voicing of the word
Tears up a memory as though it were a limb torn off.
But so it is.
What? Now the women come on angry. Are they casting
Stones at me; and thyrsi? Oh joy, that they may pass the
Magic of my song, may reach me with these weapons
And let me feel the pain of living, the real pain, may
Silence the silence with a natural horror. Oh joy, I see
The first falling of blood, the first staining, not mine,
Not yet, but that will follow, no, the blood of my feathered
Protectors, the blood of the lizards, the blood of the snakes
The blood of the foxes and rabbits, that stand about me
Transfixed by my melodies. The women are wild, truly wild.
I see them gnawing ox flanks and drinking new shed blood.
Ah, what’s that? An uncharmed stone just hit me on the cheek.
I touch. I lick a bloody finger. Oh joy, that I should feel again
Some human feeling; that I should fill with terror as I see
The crazed advance. I see them trample on the slaughtered,
Knee deep in matted fur and feathers, all soaked in blood.
They reach me. Wild bloodstained naked women, braying
And singing. Their hands are on me. They are ripping me apart.
They have my limbs, they eat out my organs, they laugh and gorge
But, and this is the all embracing terror, limb from limb I’m torn
And that joy of being about to die is fading because I’m still singing
This voice that measures out the action goes on talking when it should have stopped
My head is floating on some wanton river
And by its side my lyre bobs gaily –
Is this the final journey?
The sun has burnt my features
And I’m ragged, is it still I?
And rolling on a sandy beach
A snake approaches and bites me;
It seems a bit unfair. A flash
And the snake is petrified
Ever more to be about to strike
Strong hands lift me
And I’m in a cave
Still singing
Soon I will be silenced;
Please let it be soon;.
I am not free to stop
Please Apollo, touch me,
Touch me as you touched the snake you sent
Let me walk again with Euridice
His prayer was answered
And even now they walk
Hand in hand
Some times she runs ahead and turns to look at him
Sometimes she hides and calls.
He never turns his head to look for her
His lyre he threw far into the sky
And if you venture out on a clear night
There it is still, to this day, forever silent.
OMG(!) I love this very much. Your use of repetition in the first part is incredibly powerful (sorry for gushing) and the story whips through. You build up to ‘Orpheus must… must… must… TRUST’. Totally smitten by this rendering. And I love part two too – few writers write about the aftermath, and this is suitably discombobulated – Orpheus is clearly goal-less and drifting. It makes me wonder if our write club magazine theme couldn’t be ‘Famous Stories Retold’ starting with the myth of Orpheus and Eurydice – I have a chapter from ‘Thirty Seconds Before Midnight’ that we could publish as an excerpt and I am certain there are some limericks for Graheme in there!